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Samples

Localization and footage edits

One take, more markets and more rooms. Dubbing with the lips matched, a four market localization pack, and a background swap on footage you already shot.

One shoot, a second market

Same presenter, same take, now speaking Spanish, and the mouth agrees with the words. A subtitle asks a viewer to read while your product is on screen; a dub lets them just watch. The English original is on the left, so you can compare the delivery rather than take our word for it.

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English originalThe take as it was recorded.
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Spanish dubSame face, lips matched to the new line.

Dubbing, priced per language

The script is rewritten to fit the shot rather than translated word for word: Spanish runs at a different length than English, and a line that overruns leaves a presenter moving their mouth after the sentence has ended. One master becomes four markets without booking the studio again.

  • Lips are matched, not left running under new audio
  • Script is timed to the shot, not translated literally
  • Same presenter and framing, so a series stays consistent
  • $119 per language, quoted per master

One master, several markets

Two tiers in one sample. English and Spanish run on the same take with the lips matched to the new line. German runs as a voice over on b roll, and the end card says so, because a voice that doesn’t match the mouth is worse than an honest label.

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Three markets, 29 seconds

The script is timed to the shot, not translated word for word. A literal Spanish line ran short of the take by more than two seconds, so it was rewritten to fill the shot. Subtitles ship in every language with the cut.

  • Same take, not a reshoot
  • Script timed to the shot, not word for word
  • Lip matched tier and voice over tier priced apart
  • Subtitles in every language

The presenter is ours and the brand is invented. On your master we start from your approved script in the first language.

The same take, a different room

The presenter on the left was filmed in an office. The one on the right is the same take, moved to a boardroom forty floors up. Not a re-shoot and not a regenerated clip: the pixels of the person are untouched, so the delivery, the timing and every lip movement are the ones that were recorded. Only the room behind them changed.

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Source takeFilmed in an office, 8 seconds.
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Same take, new locationBoardroom at golden hour.

Background swap, 8 seconds

The room is generated to match the camera that shot the original, which in this case does not move. The foreground is then graded to the new light. That is the step that usually gives a swap away, because a person lit for an office does not belong in a sunset without it.

  • Person’s pixels are untouched, so lip sync cannot drift
  • Original audio is carried over, not re-recorded
  • Background is built to match the camera
  • Foreground is graded to the new light
  • Works on footage you already shot, including phone footage

More samples

Prices for every service are on the main page.

Product video for SaaS and fintech

Explainers, data and process animation, template series and customer stories. The interface is drawn in code, so nothing gets filmed and every number on screen is one you approved.

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Ads, listings and product visuals

Openers for a media buyer to test, product shots and turntables without a shoot, a listing cut that passes review, vertical cuts from a long piece, and a read of the ad account before any of it.

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Regulated niches, training and architecture

Work where the rules come first: a clinic spot built to survive review, a training module timed to the spoken step, and a tour of a building from its renders.

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Send the script. Or just the idea.

Tell us what you're selling and where the video will run, and we'll come back with a plan and a flat quote.

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